CG Garage

Chris Nichols, Daniel Thron

podcast@cggarage.com

For verified host and producer emails, sign up to view.

Booking Overview

An interview-led filmmaking and computer-graphics podcast featuring in-depth conversations with accomplished directors, visual-effects supervisors, cinematographers, technical innovators, and other senior film-production professionals, alongside occasional roundtables. Agencies could credibly pitch award-winning filmmakers, department heads, VFX and previs specialists, production-technology innovators, and creators with substantial credits on notable films or series; booking is likely high difficulty for top-tier candidates.

Metrics

Episodes: 559

Frequency: Weekly

Rating: 4.8/5.0

Estimated listeners: 1k-10k

Gender skew: Male

Location: USA

YouTube: 216.0k subscribers

Instagram: 82 followers

Contact Information

podcast@cggarage.com

For verified host and producer emails, sign up to view.

Host

Chris Nichols - Filmmaking and computer-graphics host and interviewer focused on visual effects, production technology, and the changing craft of cinema.

Daniel Thron - Filmmaking and computer-graphics host and interviewer covering visual effects, filmmaking craft, and emerging production technologies.

Booking Intelligence

Booking Requirements

high
Typical Credentials:  
Senior filmmakers, visual-effects supervisors, cinematographers, production designers, previs specialists, and film-technology innovators with substantial credits or distinctive technical expertise.
Required Achievements:  
Major credits on prominent films or television series, Oscar, Emmy, or other major industry recognition, Leadership of significant visual-effects or filmmaking departments, Development or application of pioneering production technologies

Recent Guest Discussions

Doug Trumbull - His Career In Visual Effects And Filmmaking, Joining 2001: A Space Odyssey, Motion-perception Research, Showscan, MAGI, High-frame-rate And Stereo Cinema, And Film-projection Technology.

Hnedel Maximore - Previsualization, Spatial Design, The Production Of Spider-man Noir, Simultaneous Color And Black-and-white Capture, Integrating Stunt And VFX Teams, And Improving The Timing Of VFX Involvement In Production.

Recent Topics

Visual Effects, Computer Graphics, Filmmaking, Cinematography, Film Technology

Episodes

Here's the recent few episodes on
CG Garage
:

Disclosure Day and The Secret Weirdness of Steven Spielberg | Episode 557

July 20, 2026

Steven Spielberg is the most famous filmmaker alive, which is exactly why almost nobody actually understands him. Chris and Daniel use Disclosure Day, Spielberg's new alien chase thriller with Emily Blunt, to argue that the "safe, mainstream" reputation is a decades-long misdirection: underneath the crowd-pleasing surface is a genuinely weird, deeply personal artist who has been smuggling strange, uncomfortable ideas inside blockbuster packaging since at least Close Encounters. They trace it ...

A24, DeepMind, and the "No CGI" Marketing Lie Everyone's Tired Of | Episode 556

July 13, 2026

A24 announced a $75 million research partnership with Google DeepMind and framed it as R&D for production tools, not a content deal. Nobody cared about the distinction. Chris, Daniel, and James Blevins spend the first half of this Rough Cut on why that announcement landed like a betrayal anyway, then pull the same thread through the Paramount Skydance and Warner Bros. Discovery merger, Mark Ruffalo's New York Times op-ed on quiet industry retaliation, and what it means that four studios now c...

He Cold-Called Kubrick's Secret Number | Doug Trumbull | Episode 555

July 06, 2026

Doug Trumbull spent fifty years trying to convince Hollywood that the way movies are projected is fundamentally broken, and most of the industry never listened. The visual effects supervisor behind 2001: A Space Odyssey, Close Encounters of the Third Kind, Blade Runner, and Star Trek: The Motion Picture, and the director of Silent Running and Brainstorm, Trumbull passed away in 2022. This conversation originally aired in July 2020, before a lot of you were listening, and it's one of the fulle...

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