Art of the Cut

steve@veralith.com

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Booking Overview

Art of the Cut features editors from film, TV, and documentaries breaking down craft decisions behind major productions. It’s a strong booking platform for high-credential post-production professionals who can speak credibly about editing challenges and process.

Metrics

Episodes: 212

Frequency: Weekly

Rating: 4.9/5.0

Estimated listeners: 1k-10k

Gender skew: Male

Location: USA

YouTube: 302.0k subscribers

Instagram: 19.0k followers

Contact Information

steve@veralith.com

For verified host and producer emails, sign up to view.

Booking Intelligence

Booking Requirements

medium
Typical Credentials:  
Professional film/TV/documentary editor credited on notable titles; typically ACE (American Cinema Editors) membership and often ACE Eddie wins/nominations.
Required Achievements:  
ACE Eddie winner or nominee, Editing major studio features or prestige TV/documentary projects, Frequent credits on high-profile franchises or collaborations

Recent Guest Discussions

Terel Gibson, ACE - Editing Boots Riley’s Feature Film I Love Boosters

Sarah Broshar, ACE - Temp Score Replacement Rules (john Williams), Assembly Length Secrecy, Keys To Building Suspense And Emotion On Steven Spielberg’s Disclosure Day

Doc Crotzer, ACE - Finding Rhythm In Silences, Editing With Very Little Music, And Applying Walter Murch’s Blink Rule To Editing

Recent Topics

Film, Editing, TV, Documentary, Post Production

Episodes

Here's the recent few episodes on
Art of the Cut
:

The Furious

July 02, 2026

Today on Art of the Cut we speak with editor Chris Tonick about the feature-film, The Furious.Chris has edited films like Kung Fu Games, Trigger Warning, and Black Friday. He was a producer on the Walter Murch documentary, Her Name Was Moviola. He’s also been part of the post teams of The Suicide Squad, Once Upon a Time in Hollywood, and John Wick 2.On this episode, we're discussing - among other things - why the biggest job in this action movie wasn’t cutting the action, how the film’s m...

I Love Boosters

June 25, 2026

Today on Art of the Cut, we speak with Terel Gibson, ACE about editing Boots Riley’s feature film, “I Love Boosters”. Terel has been on Art of the Cut before for his work on the TV series “Skeleton Crew.”  His other work includes Sorry to Bother You, Ready or Not, Hawkeye, and The Astronaut. If you're interested in reading along with today's podcast, check out the BorisFX blog site.borisfx.com/blog/aotc

Disclosure Day

June 18, 2026

Today on Art of the Cut, we speak with editor Sarah Broshar, ACE, on editing Steven Spielberg’s Disclosure Day.Sarah has been on Art of the Cut several times, last for her editing of The Fablemans. She was nominated for an ACE Eddie for Spielberg’s The Post. Her credits also include Ready Player One, Pet Sematary, and West Side Story.This discussion will be about the rule when temping score that will be replaced by the legendary John Williams, how the length of the first assembly is a secret ...

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