steve@veralith.com
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Episodes: 212
Frequency: Weekly
Rating: 4.9/5.0
Estimated listeners: 1k-10k
Gender skew: Male
Location: USA
YouTube: 302.0k subscribers
Instagram: 19.0k followers
steve@veralith.com
For verified host and producer emails, sign up to view.
Terel Gibson, ACE - Editing Boots Riley’s Feature Film I Love Boosters
Sarah Broshar, ACE - Temp Score Replacement Rules (john Williams), Assembly Length Secrecy, Keys To Building Suspense And Emotion On Steven Spielberg’s Disclosure Day
Doc Crotzer, ACE - Finding Rhythm In Silences, Editing With Very Little Music, And Applying Walter Murch’s Blink Rule To Editing
The Furious
July 02, 2026
Today on Art of the Cut we speak with editor Chris Tonick about the feature-film, The Furious.Chris has edited films like Kung Fu Games, Trigger Warning, and Black Friday. He was a producer on the Walter Murch documentary, Her Name Was Moviola. He’s also been part of the post teams of The Suicide Squad, Once Upon a Time in Hollywood, and John Wick 2.On this episode, we're discussing - among other things - why the biggest job in this action movie wasn’t cutting the action, how the film’s m...
I Love Boosters
June 25, 2026
Today on Art of the Cut, we speak with Terel Gibson, ACE about editing Boots Riley’s feature film, “I Love Boosters”. Terel has been on Art of the Cut before for his work on the TV series “Skeleton Crew.” His other work includes Sorry to Bother You, Ready or Not, Hawkeye, and The Astronaut. If you're interested in reading along with today's podcast, check out the BorisFX blog site.borisfx.com/blog/aotc
Disclosure Day
June 18, 2026
Today on Art of the Cut, we speak with editor Sarah Broshar, ACE, on editing Steven Spielberg’s Disclosure Day.Sarah has been on Art of the Cut several times, last for her editing of The Fablemans. She was nominated for an ACE Eddie for Spielberg’s The Post. Her credits also include Ready Player One, Pet Sematary, and West Side Story.This discussion will be about the rule when temping score that will be replaced by the legendary John Williams, how the length of the first assembly is a secret ...
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