Podcast artwork thumbnail for The Rough Cut

The Rough Cut

Matt Feury

Booking Overview

This is an interview podcast focused on film and television post-production, typically featuring individual or small groups of professional editors discussing their work on current films and series. A PR agency could credibly pitch accomplished picture editors, sound designers, and other post-production specialists with substantial screen credits, major studio or streaming projects, or recognized awards; booking difficulty is medium because the show targets established industry practitioners.

Metrics

Episodes: 326

Frequency: Biweekly

Rating: 4.8/5.0

Estimated listeners: 1k-10k

Gender skew: Unknown

Location: USA

YouTube: 23.5k subscribers

Instagram: 3.1k followers

Contact Information

Publicly listed emails

matt@theroughcutpod.com

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Host

Matt Feury - Host of a post-production-focused podcast featuring in-depth conversations with film and television editing professionals.

Booking Intelligence

Booking Requirements

medium
Typical Credentials:  
Professional film or television editors and other post-production specialists with substantial feature or series credits, preferably on prominent studio, streaming, or award-recognized productions.
Required Achievements:  
Notable feature-film or television credits, Work on major studio or streaming productions, ACE, Emmy, Academy Award, Independent Spirit, or other industry recognition, Long-term collaborations with established directors or production teams

Recent Guest Discussions

Phil Hignett - Editing Comedy And Romance, Performance Timing, Music-driven Editorial Structure, Overlapping Dialogue, And Shaping Character Chemistry.

John Axelrad - Balancing Science-fiction Spectacle, Mystery, Family Relationships, And Editorial Collaboration On A Feature Film.

Gina Sansom - Transitioning To Feature-film Editing, Collaborating Within A Three-editor Team, Shaping Character Emotion, And Working With Production Footage And Visual Effects.

Harry Yoon - Collaborative Editing On A Large-scale Superhero Film, Balancing Practical Action And Visual Effects, And Preserving The Protagonist’s Emotional Point Of View.

Nat Sanders - Dividing Editorial Responsibilities Across A Major Franchise Film, Shaping Character-driven Superhero Storytelling, Integrating Visual Effects, And Using Previews To Refine The Cut.

Recent Topics

Film, Post Production, Film Editing, Television Editing, Sound Design

Episodes

Here's the recent few episodes on
The Rough Cut
:

The Musical

September 21, 2026

Editors – Chris Chandler and Devin Dulany The Musical editors Chris Chandler and Devin Dulany discuss cutting a dark comedy that turns professional frustration, romantic jealousy and middle-school theater into an increasingly elaborate act of revenge. For Devin, the project began years earlier when he edited the original AFI short that eventually became the feature, while Chris brought a background in comedy that includes Curb Your Enthusiasm, Dave and Blindspotting. Directed by Giselle Boni...

Finding Emily

September 14, 2026

Editor – Phil Hignett Finding Emily editor Phil Hignett returns to The Rough Cut to discuss cutting a romantic comedy built around music, timing, chemistry and the difficult balance between letting a joke land and giving a relationship enough space to feel real. Working with director Alicia MacDonald, Phil helped shape a film that draws on the pleasures of the classic British rom-com while giving the genre a younger, more contemporary point of view. Directed by Alicia MacDonald and written b...

The End of Oak Street

August 31, 2026

Editor – John Axelrad, ACE The End of Oak Street editor John Axelrad, ACE returns to The Rough Cut to discuss cutting a science-fiction thriller that takes an ordinary suburban family and abruptly removes every familiar rule of the world around them. Working with writer-director David Robert Mitchell, John had to balance large-scale spectacle and mystery with a story that remains grounded in the relationships between the members of one family. Written and directed by David Robert Mitchell, T...

Publicly listed emails

matt@theroughcutpod.com

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